Possession (1981)
This is not the movie I reviewed earlier this month, although they do have some things in common, like themes of family and divorce. In a way the weirdest part of this movie is the first hour, which is still well grounded in the mundane, its just the over-the-top dramatic responses from everyone and odd behavior coupled with the cinematography. The story starts off with a Sam Neil coming home from some sort of long business trip, which we quickly learn had some sort of clandestine nature. His wife isn't terribly comfortable with him being there, it seems as though they have drifted apart while he was away. Things quickly deteriorate between them and their very young son is caught in the middle. He begins to suspect there is another man, and he is right to think so. Eventually it comes to them splitting up, with much screaming and violence. Its a frantic movie, and the intense acting walks the narrow line between comical and disturbing, often slipping a toe to either side. We are never entirely sure of the mental state of anyone in this movie, except maybe the little boy. He is actually probably the most sane person in the whole movie. Also the movie takes place in divided Berlin during the cold war, which is a very important piece of symbolism. I don't want to describe the plot too much, because I really, really want people to see this movie. The second half is where things get really crazy, although people's tempers get calmer... sort of. I will say that the most important part of this movie is symbolism of division, two halves, pairs, etc. You will pick up on that, but I love the way it is implemented, with the Berlin Wall in the background. I am going to probably post another article breaking down the symbolism of the movie at a later date after I watch it a few more times. The movie remains very engaging, keeping you guessing. I think this movie had me saying "wtf" as much or more than anything else I have watched this month, but in a good way. If you are expecting gore or violence, just stick around until the second half, I promise you wont be disappointed.
Contemplate the nature of duality of the film with a good ol' Black and Tan.
1 Can of Guinness
1 Can of Bass
A Guinness glass
A spoon
Tilt the glass and pour in the Bass first, fill it to half way. Set the glass up straight hold the spoon over the mouth of the glass, upside-down. Pour the Guinness over the upside spoon, slowly. This disperses the Guinness and lets it float on top of the lighter-colored beer. Let it settle, you should have the dark floating above the light. As you drink, muse over the ying and the yang, male and female, light and dark. Try not to freak out either.
